Materials in this collection: sketches, drawings, pieces of paper with some scribblings or more "finished" works; there are ideas, comments or works in progress. I have saved them over the years, casually, just throwing the pieces into a folder; the confetti left on the floor after a performance. It is not everything; they do not represent the performance, they are not stage designs, they are what they are: thoughts, notes, memories.
My work methods are not systematic: they are chaotic, open to intuition, suggestions, to the connections that I sense: My thoughts wander, they zig-zag, but always with the complete project in mind. I am involved as a painter in collaboration with the director, the musicians, the actors, the machinist, the costumists, the people who get things done, adapting myself and my work to a collective artistic job, where ideas contaminate and influence each other. The theatre then becomes a fantastic laboratory, a study where I am not alone, a meeting place of thoughts.
Each one of these works has become an idea in itself over time, autonomous, which I hope can generate other ideas in turn.

Naples, 2007-10-12.